Electronic Express

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Electronically

Ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music . Futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery.

Circuit Bending

There are currently nine different units on the market, all designed to resemble old-school pocket calculators, and while each one functions as a sequencer/groovebox, their features range pretty widely. The PO-12 Rhythm is a drum machine; the PO-14 Sub makes basslines; the PO-20 Arcade replicates the chiptune sounds of classic arcade games. Because I figured my daughter would get a kick out of recording her voice and re-pitching it. I was right; she can’t get enough of yelling gobbledygook into the sampler, then spinning the pitch knob until it sounds like she’s just inhaled a gallon-sized helium balloon.

Japanese Electronic Music

The company would go on to have a big impact on popular music, and do more to shape popular electronic music than any other company. The earliest group of electronic musical instruments in Japan, Yamaha Magna Organ was built in 1935. However after World War II, Japanese composers such as Minao Shibata knew of the development of electronic musical instruments. By the late 1940s, Japanese composers began experimenting with electronic music and institutional sponsorship enabled them to experiment with advanced equipment.

During the 1990s, with the proliferation of increasingly affordable music technology, electronic music production became an established part of popular culture. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. Pop electronic music is most recognizable in its 4/4 form and more connected with the mainstream than preceding forms which were popular in niche markets. The first electronic musical devices were developed at the end of the 19th century.

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MIDI instruments and software made powerful control of sophisticated instruments easily affordable by many studios and individuals. Acoustic sounds became reintegrated into studios via sampling and sampled-ROM-based instruments. In 1980, a group of musicians and music merchants met to standardize an interface that new instruments could use to communicate control instructions with other instruments and computers. This standard was dubbed Musical Instrument Digital Interface and resulted from a collaboration between leading manufacturers, initially Sequential Circuits, Oberheim, Roland—and later, other participants that included Yamaha, Korg, and Kawai. A paper was authored by Dave Smith of Sequential Circuits and proposed to the Audio Engineering Society in 1981. Elektronmusikstudion , formerly known as Electroacoustic Music in Sweden, is the Swedish national centre for electronic music and sound art.